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Rode PG1 - Cold Shoe Pistol Grip for Rode VideoMics
The PG1 Cold Shoe Pistol Grip is a convenient and ergonomic way to operate your RØDE VideoMic or Stereo VideoMic independently of your video camera. A convenient 3/8” thread on the base allows connection to a boompole or microphone stand, while the spine features handy cable management.
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Audix Hanger-Micro
Hanging clip allows Micros to be accurately positioned from overhead hanging cable.
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Rode RM1 - Microphone Stand Mount for S1 M1 and M2
Suits the RØDE S1, M1 and M2 models, and is the perfect companion for the microphone on the road. The RM1 has a thread adaptor, letting it to connect to any microphone stand thread size, while still allowing for the unit's ultra tight cardioid polar pattern to be implemented without worrying about blocking any area of the microphones pick up.
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Rode Tripod - Compatible with all microphones
A collapsible mini tripod designed for the RØDE VideoMic, mounting via a 1/4" adaptor. The tripod allows you to mount the microphone on any surface that will give you a concentrated and centralized location for picking up sound. It provides 360 degree rotation and a wide angle of vertical adjustment.
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Rode DeadKitten - Soft Windshield for Stereo VideoMic and NT-4
The Dead Kitten windshield is designed for minimising any wind noise when using the Stereo VideoMic or NT4 (with WS4 windshield) in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.
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Rode BagBP - Boompole Bag
The BoomPole Bag is designed to carry the Boom-Pole (Mini or Standard) with mic (NTG-1 or NTG-2) and shock mount (SM3 or SM4) attached.
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Audix D-VICE Micro
Tension gooseneck clip enables any of the Micros to be mounted to the rim of a drum.
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SM Pro Audio PS2 - Double Layered Professional Pop Shield
Our PS2 expands our Microphone series with a new professional pop shield. The PSP2 has two layers of nylon and that fact – compared to one layer pop shields – helps reducing sibilants and plosives even more effectively. This guarantees a clean microphone recording. With its flexible goose neck the PS2 loves every microphone stand. And thanks to its detachable head mounting has never been easier!
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Rode PSM-1 Shockmount for Podcaster and Procaster Microphones
The perfect suspension shock mount for the Procaster or Podcaster, the PSM-1 removes the ability for external vibrations to manipulate the microphones positioning. The PSM-1 gives you a sense of confidence when using your microphone in environments where there is a lot of movement that may interfere with the microphones performance.
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Rode SM3 - Shockmount with Hot-Shoe Adaptor for NTG and others
The SM3 is a suspension shock mount with Hot-Shoe adaptor for mounting the RØDE NTG-1, NTG-2, NTG-3, NT3, NT4 & NT5 microphones on video cameras. This allows you to connect your RØDE Microphone to a number of video cameras on the market while giving your camera maximum isolation from any handling vibrations.
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Rode SM4 - Shockmount with Stand-Mount Adaptor for NTG and others
The SM4 suspension shock mount for the RØDE NTG-1, NTG-2, NTG-3, NT3, NT4 & NT5 microphones gives you the ability to isolate the microphone from external physical factors that may cause unwanted rumble and vibrations in the microphone. The SM4 attaches to any 3/8" or 5/8" threaded microphone stand. Supplied with Stand Mount Adaptor.
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Rode SM5 - Shockmount for High End Cameras - NTG and NT Mics
The SM5 is a suspension shock mount with ring clamp adaptor for RØDE Microphones to be used with high end cameras. The design of the suspension shock mount means the microphone is physically isolated from the stand ensuring that there is no unwanted rumble or vibrations in your recording.
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Rode WS-6 Deluxe Windshield for Rode NT-1 NT-2 and others
The RØDE WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions. Suitable for the RØDE NTG-1 and NTG-2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.
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Rode WS-7 Large Deluxe Windshield for NTG-3 and others
The RØDE WS7 Large Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions. Suitable for the RØDE NTG-3 and any shotgun microphone with a maximum slot length of 186.5mm (7 1/4") and a diameter of 19-20mm.
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Rode PG-2 Pistol Grip Shock Mount for Shotgun Microphones
The RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones. It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.
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Australian Monitor Juiced Up - Dual Phantom Power Supply
The AMIS JUICED UP is a 2 channel phantom power supply that features balanced XLR inputs and outputs per channel. The JUICED UP can operate via the supplied external power supply or via two on-board 9 volt batteries, selectable via a rear panel slider switch. The JUICED UP will supply 12VDC phantom power from battery power and 40VDC phantom power from an external power supply.
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Radial HotShot-DM1 - Stage Mic Toggle and Signal Redirector
With the proliferation of in-ear monitors, communication on stage between musicians and technical staff can be a problem. The Radial HotShot is a simple foot-activated momentary switch that mutes the mic signal going to the PA system and redirects it to monitors, in-ears or intercom. Designed for dynamic microphones, the Radial HotShot is housed in a rugged 14-gauge steel shell.
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Radial HotShot-ABi - Microphone Input Switcher
The Hot Shot ABi is a balanced line selecting device that lets you toggle between two sources and send the signal to a single destination. It features 100% passive operation with latching footswitch and therefore does not require any type of powering whatsoever. To add versatility both inputs are equipped with a -15dB pad and input B features a secondary -6dB trim to balance the two sources.
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Radial HotShot-DM1 - Stage Mic Toggle and Signal Redirector
With the proliferation of in-ear monitors, communication on stage between musicians and technical staff can be a problem. The Radial HotShot is a simple foot-activated momentary switch that mutes the mic signal going to the PA system and redirects it to monitors, in-ears or intercom. Designed for dynamic microphones, the Radial HotShot is housed in a rugged 14-gauge steel shell.
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Radial HotShot-ABo - Microphone Output Switcher
The Hot Shot ABo is a balanced line selecting device that toggles a signal between two destinations. It is also a great studio tool to control a talk back microphone or be used as a microphone mute switch. Compact and plug & play easy to use. The Radial HotShot ABo is made from 14 gauge steel for durability and is fi nished in a tough black enamel coat.
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Rode Boom Pole - For NT Series and M3 Microphones
The RØDE Boompole is a high grade professional boom pole for location recording, machined from high grade aluminium. The boom pole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source.
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Radial JS2 - Jensen-equipped Mic Signal Splitter
A high-quality Jensen transformer-equipped 1-out 2-thru mic splitter. Features include a -30dB input pad, an XLR mic input, two XLR direct thru-puts – one of which can be ground-lifted, an isolated XLR output and 48V phantom-power feed-through. Both JS•2 and JS•3 come in Radial's heavy-duty 14-gauge steel housing, which can be used either by itself or rack-mounted in Radial's versatile J-Rak 19” 2RU shelf, which can hold up to eight 'Radial format' devices.
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Radial JS3 - Jensen-equipped Mic Signal Splitter
A high-quality Jensen transformer-equipped 2-out 1-thru mic splitter featuring a -30dB input pad, an XLR mic input, an XLR thru-put, two transformer-isolated XLR outputs and 48V phantom-power feed-through. Comes in Radial's heavy-duty 14-gauge steel housing, which can be used either by itself or rack-mounted in Radial's versatile J-Rak 19” 2RU shelf, which can hold up to eight 'Radial format' devices.
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ART S8 - Eight Channel Balanced 2-Way Mic Splitter
The ART S8 can be used to split eight balanced low impedance microphone signals into sixteen balanced low impedance microphone signals (eight pairs). Each channel of the S8 provides one direct output and one transformer isolated output from a single microphone. Applications include sending the direct outputs to the main or Front-of-House mixer, and the second isolated outputs being sent to a monitor or recording mixer.
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