|
Audix F50-BL Cardioid Microphone
The F50 is a dynamic moving coil
microphone designed to handle a
wide variety of vocal and instrument
applications for both live sound and
recording.
|
|
|
Audix CD11 Cardioid Microphone
Audix CD-11 is a cost effective microphone designed for a wide
variety of applications including music, speech, corporate presentations, karaoke,
worship, and education.
|
|
|
Audix F50-S Cardioid Microphone with on/off Switch
The F50 is a dynamic moving coil
microphone designed to handle a
wide variety of vocal and instrument
applications for both live sound and
recording. It is also equipped with a
noiseless magnetic on-off switch.
|
|
|
|
|
|
Sennheiser E835 Dynamic Cardioid Microphone
Intense. Lead, vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or further from capsule. Also available with a switch (835-S).
|
|
|
|
|
Blue Microphones Encore 100i Dynamic instrument mic
The en·CORE 100i utilizes a new dynamic capsule with a custom-tuned diaphragm designed specifically to provide a tighter polar pattern perfect for miking instruments and other sources requiring high isolation. A custom circuit with transformer optimizes frequency response for use with drums and amplified instruments and vocals, while a specially-designed grille provides protection from instrument strikes and facilitates mounting in tight spaces, making the en·CORE 100i a versatile addition to the en·CORE family.
|
|
|
Blue Microphones Encore 100 Dynamic mic
Everything Blue have learned from years of building the world's best studio recording microphones has gone into the en•CORE 100, a studio-grade handheld dynamic microphone designed to deliver exceptional all-around performance, no matter what your application.
|
|
|
|
|
Rode M1 - Live Performance Dynamic Microphone
100% Rock 'n' Roll in a can! With a rock solid die-cast body and sturdy dynamic capsule the RØDE M1 can take all the abuse you or your Roadie can throw at it, without showing signs of age or neglect. You can rely on the M1 to offer reliable high quality performance, day after day, gig after gig.
|
|
|
Nady VHM7 Harmonica Microphone
Designed for harmonica, the VHM-7 also serves as a great vocal mic. Its cardioid pattern dynamic cartridge has been expressly tailored for producing thick, fat tone while holding cupped — with enough “filthy” tone to satisfy even the most discriminating blues harp players.
|
|
|
Audio Technica ATM-410 Cardioid Dynamic Vocal Microphone
This cardioid dynamic workhorse is designed for smooth, natural vocal reproduction and low noise. Equipped with a neodymium magnet for high output, and a multi-stage grille design for excellent protection against plosives, this super-durable microphone is built to stand up to life on the road.
|
|
|
Audix OM3 True Hypercardioid Microphone
The OM3xb,first introduced in 1989,is the
original VLM Technology high output vocal
microphone. An American-made,hand held
vocal microphone designed for live perform-
ance,the OM3xb is characterized with a
hypercardioid pickup pattern and a uniform
frequency response of 50-18kHz.
|
|
|
Audix OM3-S - same as OM3 with On-Off Switch
The OM3xb-S, first introduced in 1989,is the
original VLM Technology high output vocal
microphone.An American-made,hand held
vocal microphone featuring an on/off switch designed for live perform-
ance, the OM3xb-S is characterized with a
hypercardioid pickup pattern and a uniform
frequency response of 50-18kHz.
|
|
|
Audix Fireball-V Dynamic Harmonica Microphone
The FireBall V is a professional dynamic microphone specifically designed for harmonica (both chromatic and diatonic) and beatbox. The volume knob is conveniently placed and simple to use while playing.
|
|
|
|
|
|
|
|
|
|
Beyerdynamic TG-X48 - Dynamic Supercardioid Live Vocal Microphone
The new dynamic model TG-X 48 is ruggedly constructed for years of road use and will convince you with its Beyerdynamic typical warm and clear sound. Vocalists who are in the hunt for a good value everyday microphone should consider the TG-X 48. It is excellent in the top-end and you can really crank the gain before feedback problems arise.
|
|
|
Blue Microphones Encore 200 Active Dynamic mic
Everything Blue have learned from years of building the world's best studio recording microphones has gone into the en·CORE 200, a studio-grade handheld dynamic microphone designed to deliver exceptional all-around performance, no matter what your application.
|
|
|
Fostex M115 Dynamic 600 Ohm Microphone with Flexible Shaft
200mm Gooseneck unidirectional microphones with tailored response for optimum intelligibility. Both feature anti-wind noise circuitry, Hypercardioid pattern capsules for feedback reduction. Integral on/off switch.
M115 (XLR) - 90Hz - 12kHz 600ohm
|
|
|
Audix OM5 Very Tight Hypercardioid Microphone
First produced in 1995,the OM5 dynamic
vocal microphone has become highly regard-
ed by artists and engineers for its ability to
produce quality sound at very high sound
pressure levels without distortion or feed-
back.
|
|
|
|
|
|
Shure Green Bullet S-520DX Harmonica Microphone
Legendary Green Bullet microphone with Controlled Magnetic element. Famous among harmonica players for its classic blues harp sound, the "Green Bullet" has a contoured size and shape that fits perfectly between harmonica and hands.
|
|
|
|
|
Audix OM6 Broad Hypercardioid Microphone
Conceivably the finest example of dynamic
microphone technology today,the Audix OM6
breaks every record in live performance
criteria.Rich,full bodied vocal sound;
unmatched clarity and detail;extended low
end response;high SPL levels without
distortion;low handling noise;superior off-
axis rejection;maximum gain before feed-
back;and rock solid durability.
|
|
|
|
|
Audix OM7 Extreme Hypercardioid Microphone
Produced in the mid-90s primarily for concert
rock touring bands with exceptionally loud
stage volumes,the OM7 has earned reputation
in the pro sound industry as being the “ulti-
mate gain before feedback ” microphone.
|
|
|
|
Audix OM11 VLM type-A capsule (re-issue of the OM1 mic from 1985)
The OM-1, a hand-made microphone first introduced in 1985, quickly established itself with live sound engineers as one of the best mics for rock and roll. It was discontinued, unfortunately, because of the prohibitive costs associated with producing it. Now, we are proud to re-issue it with the original cutting edge sound and stylish two-stage, machined brass body. With an updated composite capsule housing and mounting system, the OM-11 has very high output with extremely low handling noise.
|
|
|
|
|
|
|
|
Shure 55SH Vintage Rock and Roll Birdcage Microphone
An unmistakable stage icon for 70 years, the Shure 55SH Series II Vocal Microphone features a signature satin chrome-plated die-cast casing for pure vintage look and feel with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.
|
|
|
Sennheiser e945 Supercardioid Vocal Microphone
The e945 is a fully professional super-cardioid vocal microphone which cuts through the mix and offers a smooth, natural sound. Its warm tonal response is matched with rugged construction and excellent feedback rejection.
|
|
|
|
|
Beyerdynamic M201 TG - Dynamic Universal Hypercardioid Microphone
The M 201’s unique construction reduces handling noise to a minimum, giving excellent results as an audience response microphone in TV studios and for location production of vocals and sound effects. Its uniform response and small size make it especially effective for recording and reinforcing snare drums, hi-hats, rack toms and percussion. It also works well with banjos and acoustic guitars.
|
|
|
|
Sennheiser MD-421 U4 Studio Directional Microphone - Cardioid
The Sennheiser MD421 MKII U4 Mic is one of the best-known mics in the world. Its excellent sound qualities enable it to cope with the most diverse recording conditions and broadcast applications. The 5-position bass control enhances its all-round qualities. With very effective feedback rejection and a highly directional cardioid pickup pattern, placement is a cinch. Rugged construction.
|
|
|
Beyerdynamic M88 TG - Dynamic Hypercardioid Microphone for Kick Drum
Some products are born classics and the M 88 has to take centre-stage for being far ahead of its time when it was first introduced in the 1960s. Incorporating a new low-mass diaphragm element, the M 88 TG has earned its place in history in the Kick Drum. Sound engineers have found that the lightening-fast response of the microphones reproduces the complex sound patterns of this instrument resulting in the tight thump without the need for complex signal processing.
|
|
|
Beyerdynamic Opus 99 - Large Diaphragm Dynamic Microphone for Bass
The Opus 99 has been developed especially for miking low-frequency instruments such as Double Bass, Bass Amplifiers, Tubas and especially Bass Drums. The strong neodymium magnet system and a mass reduced special diaphragm give the microphone a powerful reproduction with excellent transient characteristics.
|
|
|
Sennheiser MD-441 - Dynamic Microphone
The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface:
all metal body with black leatherette finish, sound inlet basket: nickel plated.
|
|
